Who needs free speech? From Mashable.

Pakistan Blocks Facebook Over Caricatures of Prophet Muhammad

A Pakistani court has ordered the authorities to temporarily block Facebook due to a contest that calls for caricatures of the Prophet Muhammad.

The court order follows a petition by a group called the Islamic Lawyers’ Movement, which complained that the contest was “blasphemous.” A search on Facebook reveals two sites featuring such caricatures: one supporting Kurt Westergaard, the Danish cartoonist who created the caricature of the Prophet, published in Danish newspapers in 2005.

The other group is openly calling for caricatures of Prophet Muhammad, claiming in the group descriptions that it has noble intent. From the description: “This group is for everyone, regardless of nationality, political or religious believes, who believe in and want to defend freedom of speech and the foundation of democracy wherever it is being threatened in the world!” In the photo section of the group, one can indeed find several caricatures of the Prophet Muhammad.

Facebook is to remained blocked in Pakistan until May 31. Justice Ejaz Ahmed Chaudhry of the Lahore High Court ordered the department of communications to submit a written reply to the Islamic Lawyers’ Movement petition by that date. In 2008, Pakistan blocked YouTube, also because of caricatures of the Prophet Muhammad that found their way onto the video-sharing site.

Posted via web from cloody

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The Best Of Jamie McDonald

This is genuinely some of the funniest comedy ever. Particularly if you like swearing. Malcolm Tucker’s sidekick in ‘The Thick of It’ shows that nobody can beat the Scottish when it comes to foul and abusive language.

Posted via web from cloody

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The scariest path in the world?

Jesus, I can hardly watch this let alone actually walk on it.
Absolutely incredible video which has, according to youtube’s own stats, had about 1.5 million hits.
I genuinely get vertigo even watching it.

Posted via web from cloody

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Fence Records News » Fence Records presents … The Away Game

After seven years of hosting the Home Game event in our home town of Anstruther, Fife, we at Fence Records are proud to announce details of our very first Away Game!

The Away Game will be taking place over the 24th – 26th of September 2010, on the beautifully remote isle of Eigg, located in the Inner Hebrides of Scotland.

With a population of just 70 people (plus a lot of sheep, some cows, and a big bastard bull called Dougald), the isle of Eigg has a strong sense of community – and all the islanders have a real thirst for a good party – the ideal location, then, for a Fence Records event!

Hosted by King Creosote and The Pictish Trail, the weekend will feature a bevvy of great music from the Fence Collective and special guests, as well as a chance to explore the island, meet old friends, and make new pals too.

The Pictish Trail: “Our first Away Game is gonna be a proper adventure!  We wanted to capture the spirit of Home Game, and take it somewhere a bit bonkers.  Since our very first Home Game, people have asked us to put on an Away Game in their hometown … but we’ve been secretly wanting to do something on Eigg for years.   The scenery over there is absolutely gobsmacking – and the atmosphere is perfect for a party.  I was over on the island recently, and everyone I met there is really excited about meeting you Fencers!  I can’t reveal the line-up just yet … but ticketholders are in for a real treat”.

What makes this event different from the Home Game is that ticket holders will have the opportunity to camp, instead of having to fork out for B’n’B’s or other accommodation.  So, expect campfire sing-a-longs, and amazing views out to sea.

As this is our first official Fence event of this type, we’re making it extremely limited – selling just 150 camping tickets.


Tickets for The Fence Records’ Away Game will go on sale on Monday 24th May, at 12 noon – on the Fence Records website, www.fencerecords.com .


Tickets are priced at £90.00 each, and are inclusive of camping and arranged ferries to and from the island.

We’re chartering a couple of ferries from the coastal town of Arisaig on Friday afternoon (24th September), and some ferries returning to the mainland on the Sunday afternoon and Monday morning (26th/27th September). There’s a thrice-daily train service between Arisaig and Glasgow Queen Street – and we’ve timed all the ferries so that they synchronise with these.

Music is going to take place on the Friday night, from around 8/9pm, until very late … and then will start again from mid-afternoon until late on the Saturday.  The Sunday will be a day to recover/sleep – and there’ll be a ferry to take some folk back home in the afternoon, and another on the Monday morning.

As with most Fence events, we’re not going to reveal the line-up for a wee while yet … but, rest assured, there’ll be a good mix of all your usual Fence Collective favourites … and some very special guests.   To give you an idea of the type of music, here’s whom we’ve had play at previous Fence events …

FOUR TET MALCOLM MIDDLETON KT TUNSTALL MARINA & THE DIAMONDS THE WHIP JON HOPKINS ARCHIE BRONSON OUTFIT ALEXIS TAYLOR (HOT CHIP) GREEN GARTSIDE (SCRITTI POLITTI) THE UNTHANKS DJANGO DJANGO ADRIAN CROWLEY THE BLUEBELLS EMMA POLLOCK THE CONCRETES SPARE SNARE EAGLEOWL ADEM KARINE POLWART JOHN MACLEAN (THE ALIENS / BETA BAND) THE PHANTOM BAND DE ROSA DAVID THOMAS BROUGHTON STUART BRAITHWAITE (MOGWAI) MARY HAMPTON THE CHEEK JOSIE LONG SLOW CLUB THE SKYGREEN LEOPARDS ALASDAIR ROBERTS KING BISCUIT TIME (STEVE MASON) VIKING MOSES PANTHA DU PRINCE WITHERED HAND BITMAP FRANCES MCKEE (THE VASELINES) AIDAN SMITH FONDA 500 BALLBOY RAY RUMOURS JOHNNY FLYNN EUGENE MCGUINNESS CHRIST. BLOOD MUSIC to name but a few … !

Keep your eyes peeled to the Fence Records site over the next few weeks for more info on the weekend – including travel information, line-up etc.  There’s also a thread on our messageboard (the Beef Board), where you can ask questions – you can visit it by clicking HERE.

Posted via web from cloody

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New Project……Story Part 1

….so I’m doing a creative writing course in college. I thought I might as well stick what I do up on my website. That’s what it’s for I guess. This is the first bit and may or may not get longer.

Story (Part 1)

I stood on the old bridge, and took a long draw on my cigarette. I looked down towards a valley being slowly covered by new houses. They’d appeared over a dozen or so years, but really boomed around 2005 – even our remote part of the country was not immune to economic progress. I’d not necessarily call it all progress, personally, but I suppose that’s just me. I can’t argue with the money they bring in, and I suppose in that context a slightly lesser view of the beach is not such a big deal.

They do bring a strange modernity to the landscape, which for most of my lifetime has not seen much in the way of change. From there, I could see right down the valley to the miles of golden beach to the Atlantic meeting the coast. Beyond a handful of small islands it’s next stop North Pole. Even recently, you could follow the river to the sea and see nothing but the old Free Church and a clutch of homes, but it’s all changing now. Progress. Range Rovers, kids and dogs and bikes and lovely-for-a-holiday-but-how-do-you-live-here-full-time?

Many of the crofts that had provided sustenance to previous generations were no longer worked. The younger members of the families moved south with no thought of returning to their parent’s way of life. Why would they? Crofting has never been a business so much as a means to an end. In it’s glory days nothing more than a lifestyle borne of need rather than any romantic notions of working the land. Most of the locals still in it do so out of tradition, family pride or something like that – and almost to a man they have second jobs. They work on the roads, in the pub, for the local builder, whatever is available.

I did my time away from here. I got out, impatient to sample a different life. I spent four years at University in Edinburgh, then ten years in London working in finance. Left home in 1993, back in 2009.15 years older, with a slightly weaker accent and a higher hairline. I chucked it all, the high powered job, the flat, the fancy car, even the long term fiancé – it’s all gone. Almost on a whim.

I’d inherited the land suddenly. Very suddenly. No warnings, no fanfare and no time to plan. My Uncle Donald and his wife Marge, who’d always been great favourites of mine, had no children. In their will, they’d left their property to me. Not their money, mind, that had gone to a local nursing home. Just the house and the land. I had no idea. My friends and fiancé thought I was having some sort of breakdown when I said I’d be moving back, they really did. I can see why, it all happened so quickly – one day I’m getting off Docklands Light Railway suited and booted at Canary Wharf, two weeks later I’m looking over my new land thinking about just what the fuck I have done.

They’d been on their way to Inverness, Don and Marge, for a weekender in ‘civilization’ - their words, not mine. They’d done it for as long as I could remember, Glasgow, Edinburgh – even London occasionally – but usually Inverness – every couple of months they’d jump in the car and head towards more populated climes. Marge couldn’t take the isolation, Donald said, for more than a few weeks at a time. They both liked the theatre, music, cinemas, pubs, clubs, basically I always thought they were living in the wrong place. The arrangement seemed to suit them though.

A guy driving a fish lorry from Wick came through a roundabout north of Inverness, without checking to his right. He’d been on the ‘phone apparently. They never stood a chance. Bang. The lorry driver walked away, but Marge and Donald were killed outright. Just shows you, everyone said. You never know the day.

Posted via web from cloody

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You’ve got to love these mad chinese rip offs. This is the most ridiculous thing ever.

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Should You Post That Status Update? Facebook guide.

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Tigerfest 2010 – Tickets now purchased for King Creosote and the phenomenal Withered Hand

Tigerfest 2010

Lineup

Tigerfest has announced its lineup for May 2010. It’s another top-notch collection of acts combining some of Scotland’s top talent, with established names and future stars alongside some appearances from favourites from far and wide.

The mini-festival, which runs for three weeks, takes in shows in Dunfermline, Edinburgh and Aberdeen, running in conjunction with its affiliates Baby Tiger, the Carnegie Hall, Interesting Music Promotions, and online/media partner is this music?

There’s also a clutch of co-promotions with partners such as Electric Circus and the Cabaret Voltaire, plus the Fence and 17seconds labels.

Highlights:

Dunfermline:
Malcolm Middleton – one-off show as the former Arab Strap man interrupts his hiatus of recording and writing. Joined by Spare Snare, Dundonian lo-fi legends.
King Creosote – currently embarking on a one-man tour of England, this exclusive Scottish leg also includes labelmate Rozi Plain and Edinburgh’s upcoming star Withered Hand.
Also, part of ‘Celebrating Fife 2010′ – a triple bill of Ambulances, Vertis and Crayons, three of Scotland’s most promising acts, and all from the Kingdom.

Aberdeen:
Special one-off gig sees The Unwinding Hours – former Aereogramme members and perhaps already makers of Scottish album of the year – perform, with support from Katerwaul.

Edinburgh
This year the focus is on the capital with a total of seven shows and 20 acts performing during the first two weeks of May. Top of the bill is hard to say – with indie legend Martin Stephenson, reformed 80s act TV21, and the best in new talent including There Will Be Fireworks, Jesus H. Foxx, X-Lion Tamer, The Gothenburg Address and Chris Bradley.

Posted via web from cloody’s posterous

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Pet Birds

…and a touch off topic for this site tbh, but if anyone is interested in pet birds, check out my new site at:

http://mybirdstore.co.uk

That’s all

cheers

Cloody

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Field Day Victoria Park

Who Turned the Music Down? (The council probably).

by Adam Mackay

I attended a festival called Field Day in Victoria Park in the East End of London a couple of weeks ago and said I would write a few words on the bands I saw for Cloody’s website.

The line up was quite sort of indie/alternative and can be viewed here http://www.fielddayfestivals.com/lineup/ First off we went to see a Glasgow band called Errors on the main stage. They’re sound is quite sort of electronic although they do have a full band set up with drummer, bass, guitars etc. I quite enjoyed their set, with some good dance along tunes which fitted the nice early good weather atmosphere pretty well.

A good early crowd and a lot of familiar Scottish accents also added to the vibe (There was quite a Scottish vibe to the festival with, Mogwai, Malcolm Middleton, Optimo all playing).

A little while later we went back to the main stage to see The Horrors. I’m not particularly familiar with their body of work but had read good reviews of their new album so thought I’d go and check them out. Well it was pretty much a let down and to be fair I’m not sure it was entirely the band’s fault.

The volume levels were so low you could easily have a conversation with the person next to you at normal speaking volume.

The Horrors, it struck me, were kind of about making a lot of noise and a big theatrical performance, and with the music at such low volumes it was almost impossible to get in to them. We left after about three songs.

We later went to see Mumford and Sons in one of the marquee tents. At least being in the tent the volume levels were a bit better but it could still have done with being a bit louder. I quite enjoyed their set though, sort of toe tapping folk rock I suppose. The kind of band I imagine would go down a storm at a marquee dance in the Highlands of Scotland. Someone did tell me that they’re quite heavily religious though and are a bit preachy about it. This would certainly put me off them. There are no good god-bothering bands!

Whilst in the tent watching Mumford the heavens opened and the next couple of hours were spent crammed in a beer tent with the occasional sprint to the strangest toilets ever. I don’t know if any males have experienced these at festival this year but they were basically four man, square urinals that come to about belly button height, so you’re standing taking a piss with the three other blokes all looking each other right in the face, literally about a foot and a half away.

The only other band we went to see were Mogwai, last on the main stage. Again the ridiculously low volume levels meant that their set was completely underwhelming. It is music that needs to be played loud and allowed to kind of wash over and around you -if that makes sense. I felt kind of bad that for a lot of the crowd this would be the first, and maybe only time they would see them and would just go away with a pretty poor experience.

Victoria Park where the festival was held is right in the middle of London, which is why there were such noise restrictions I suppose, but at the same time it was a daytime festival and finished at 10 o’clock so what’s the problem with a bit of noise.

I started talking about the noise problem with the people I went with and apparently it’s become a big issue over the last couple of years. Councils are coming down really hard on events who exceed the allowed levels and imposing big fines. They have people at every festival with noise measuring machines making sure the noise rules aren’t broken.

You may think that this is only a problem for city festivals but it’s not. It’s a problem for any festival with any kind of residential housing within earshot. Over the last couple of years it’s been a problem at Glastonbury and most notably Reading, where last year heavy atmospheric weather meant the sound carried more and levels had to be turned down even lower. People were complaining Rage Against the Machine were being drowned out by people talking! That’d make you want to spew!

At Glastonbury just because there are a few houses in the area the noise levels have had to be turned down over the last couple of years to the point where people are noticing and complaining about it.

That can’t be right! Surely the musical pleasure of 100,000 is more important than a few days of noise pollution for a handful of residents. Without wanting to sound too Daily Mail, it feels like it’s the sort of thing that would only happy in Britain at the moment.

So to councils of Britain I say; Turn the music back up please.

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